Quick Search

Advanced Production Music Library SearchBeat Calculator

If you are seeing this message your version of the Flash player is unable to play the Flash files used on this page. Please visit the Adobe site to download the latest version of the Flash Player

Audio Network Production Music Library - Browse by Style or Mood

Bill Bruford

Download Prices. Please select:

Please select your usage type from the drop down box for prices of tracks

Music Usage Types

Download for Personal Use

Downloads for personal use are for personal usage and storage by the user only.

If you wish to use the music track(s) in an audio-visual production, you need to take out one of the following licence types:

Home / Student Productions

Covers synchronisation use in home/student or wedding videos, films and other multi-media projects or for use in your home, education establishment or church. Covers distribution of the finished audio-visual production to festivals, friends and family or User Generated Content aggregators. Excludes products for commercial sale or exploitation.

Corporate / Charity Productions

Covers synchronisation use in Corporate or Charitable videos, DVDs, presentations, web-sites or other multi-media projects. Covers up to 100 copies of the finished audio-visual production for distribution within the Corporation or Charity.

TV & Other Productions

Covers synchronisation use with film, radio and television programmes, or other multimedia, audio-visual or computer generated productions or presentations. Also covers radio commercials, for TV commercials see below. All rights in the sound recording dubbing fee and music synchronisation fee are cleared for the above uses for the world.

For further details concerning (1) Products for Retail Sale, (2) Audio Only CDs (3) Public Performances and (4) How producers can save money by taking out a blanket licence covering all their productions click here

TV Commercials

Covers synchronisation use with TV and Cinema commercials. All rights in the sound recording dubbing fee and music synchronisation fee are cleared for the above uses for the world, in perpetuity. Different versions of commercials require separate licenses. Please contact us for details or campaign discounts.

Unauthorized synchronisation use, copying, hiring, lending, broadcast and public performance are strictly prohibited.

Track Details for Battle Star

8 versions of this track listed

Track Title   Composer Description CD No.   ListenPriceAdd to cart
Battle Star 1:29 Nick Ingman (PRS) / Terry Devine-King (PRS) Thriller paced orchestra with rock drums & guitar 1393/2   click to listenPlease select a usage type from the dropdown above to see the price
Key Cm (ends in Cm)
Metre 4/4
Tempo 173 bpm (ends at 173)
Tempo Notes Medium
CD Number 1393/2
ISRC GB-FFM-09-39302
Publisher Audio Network Plc
Factoid The term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
Battle Star 2 (Alt. End) 1:25 Nick Ingman (PRS) / Terry Devine-King (PRS) Thriller paced orchestra with rock drums & guitar. Alternative ending 1393/11   click to listenPlease select a usage type from the dropdown above to see the price
Key Cm (ends in Cm)
Metre 4/4
Tempo 173 bpm (ends at 173)
Tempo Notes Medium
CD Number 1393/11
ISRC GB-FFM-09-39311
Publisher Audio Network Plc
Factoid The term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
Battle Star 3 1:13 Nick Ingman (PRS) / Terry Devine-King (PRS) Rock drums & guitar underscore. No orchestra 1393/12   click to listenPlease select a usage type from the dropdown above to see the price
Key Cm (ends in Cm)
Metre 4/4
Tempo 173 bpm (ends at 173)
Tempo Notes Medium
CD Number 1393/12
ISRC GB-FFM-09-39312
Publisher Audio Network Plc
Factoid The term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
Battle Star 4 1:18 Nick Ingman (PRS) / Terry Devine-King (PRS) Tense orchestral. No drums or rock band 1393/13   click to listenPlease select a usage type from the dropdown above to see the price
Key Cm (ends in Cm)
Metre 4/4
Tempo 173 bpm (ends at 173)
Tempo Notes Medium
CD Number 1393/13
ISRC GB-FFM-09-39313
Publisher Audio Network Plc
Factoid The term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
Battle Star 5 (60) 1:00 Nick Ingman (PRS) / Terry Devine-King (PRS) Thriller paced orchestra with rock drums & guitar 1393/14   click to listenPlease select a usage type from the dropdown above to see the price
Key Cm (ends in Cm)
Metre 4/4
Tempo 173 bpm (ends at 173)
Tempo Notes Medium
CD Number 1393/14
ISRC GB-FFM-09-39314
Publisher Audio Network Plc
Factoid The term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
Battle Star 6 (30) 0:30 Nick Ingman (PRS) / Terry Devine-King (PRS) Thriller paced orchestra with rock drums & guitar 1393/15   click to listenPlease select a usage type from the dropdown above to see the price
Key Cm (ends in Cm)
Metre 4/4
Tempo 173 bpm (ends at 173)
Tempo Notes Medium
CD Number 1393/15
ISRC GB-FFM-09-39315
Publisher Audio Network Plc
Factoid The term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
Battle Star 7 (Sting) 0:07 Nick Ingman (PRS) / Terry Devine-King (PRS) Powerful orchestral sting 1393/16   click to listenPlease select a usage type from the dropdown above to see the price
Key Cm (ends in Cm)
Metre 4/4
Tempo 173 bpm (ends at 173)
Tempo Notes Medium
CD Number 1393/16
ISRC GB-FFM-09-39316
Publisher Audio Network Plc
Factoid The term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
Battle Star 8 (Sting) 0:08 Nick Ingman (PRS) / Terry Devine-King (PRS) rising orchestral swell followed by powerful sting 1393/17   click to listenPlease select a usage type from the dropdown above to see the price
Key Cm (ends in Cm)
Metre 4/4
Tempo 173 bpm (ends at 173)
Tempo Notes Medium
CD Number 1393/17
ISRC GB-FFM-09-39317
Publisher Audio Network Plc
Factoid The term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.

Related TracksIf you like this track, you might also like

Track Title   Composer Description CD No.mixesListenPriceAdd to cart
Falling Backwards 1:58 Nik Kershaw Grungy indie rock with powerful choruses & string orchestra 1368/5 5 mixes availableclick to listenPlease select a usage type from the dropdown above to see the price
Hades 2:38 Dan Skinner / Adam Skinner Powerful rock guitars & kit with orchestra & Middle Eastern effects 1464/8 5 mixes availableclick to listenPlease select a usage type from the dropdown above to see the price
Inferno 3:27 Paul Mottram / Gareth Johnson Frenzied orchestral drum 'n' bass. Fast beats 1175/2 8 mixes availableclick to listenPlease select a usage type from the dropdown above to see the price
Men In Black 3:04 Paul Mottram / Gareth Johnson Glamorous large orchestra with cool drums. All speed boats & roll neck sweaters 1175/1 8 mixes availableclick to listenPlease select a usage type from the dropdown above to see the price
Storming the Armoury 2:55 Christopher Ashmore / Benjamin Marks Explosive industrial synths & drums with cinematic marcato strings 1339/1 13 mixes availableclick to listenPlease select a usage type from the dropdown above to see the price